Gino Severini - Composizione con gatto, Drawing (Ink/Pen/Pencil), 1948
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Gino Severini

Composizione con gatto

1948
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Drawing, Unique Work
Ink/Pen/Pencil, Paper
50 x 45 cm
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Hand Signed, Certificate issued by foundation
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The artwork is part of the A3M Collection

Artwork
«Composizione con gatto»
in Interior

Drawing Composizione con gatto in light living room
Drawing Composizione con gatto in large empty light living room
Drawing Composizione con gatto in dark living room
Drawing Composizione con gatto in dark living room
Drawing Composizione con gatto in light bedroom
Drawing Composizione con gatto in dark bedroom
Drawing Composizione con gatto on warm wall
Drawing Composizione con gatto on light wall
Drawing Composizione con gatto on dark wall
Drawing Composizione con gatto on dark wall
Drawing Composizione con gatto in warm interior next to a lady
Drawing Composizione con gatto in dark interior next to a lady
Drawing Composizione con gatto in light interior next to a lady

Vaisilisa, art-curator

— In this drawing, Gino Severini transforms a simple still life into a study of structure and perception. Everyday objects — a cat, a pitcher, a bowl — are reduced to a network of intersecting lines and transparent planes. The scene unfolds not in physical space but in an analytical one, where geometry replaces volume and rhythm replaces narrative. It is a dialogue between observation and intellect, between the visible world and the artist’s inner architecture.

Severini’s line, fluid yet controlled, maps the silent energy of the composition. The cat at the center becomes both subject and pattern — its contours blending with the surrounding vessels in a harmony of intersecting vectors. This precision of draftsmanship reflects the artist’s post-Cubist pursuit of equilibrium between nature and abstraction.

«Composizione con gatto» encapsulates Severini’s mature style: the fusion of mathematical order and poetic intuition. Within its delicate geometry lies a meditation on vision itself — how reality dissolves into rhythm, and how form becomes thought.

Gino Severini

Early in his career, Gino Severini adopted divisionism, a technique involving small dots of color, before embracing the speed, energy, and fragmentation of futurism. Later, Severini’s work transitioned toward cubism and eventually neoclassicism, reflecting a broader return to order in European art.

Artist Gino Severini

Gino Severini,
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